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Revealing Japan’s low-tech belly

Page last updated at 09:02 GMT, Tuesday, 13 July 2010 10:02 UK

AFP Tokyo is viewed as a high-tech hub

Police stations without computers, 30-year-old "on hold" tapes grinding out tinny renditions of Greensleeves, ATMs that close when the bank does, suspect car engineering, and kerosene heaters but no central heating.

A dystopian vision of a nation with technology stuck in an Orwellian time warp? Not at all. These are aspects of contemporary, low-tech Japan that most visitors miss as they look around the hi-tech nation that its government, electronics industry and tourism board are keen to promote.

Tech-savvy internationalised companies such as Panasonic characterise that familiar but smaller segment of Japan Inc. The second much larger, and often subsidised economy, comprises overstaffed family-run firms that are decidedly low-tech and high-priced.

Digital divide

When the business and tech-focused Fast Company magazine released its list of most innovative companies in 2010 only one Japanese company made the selection, and that was a retailer.

So what could account for Japan's lack of international clout tech-wise? Some blame its focus on the domestic market, a low-quality, inefficient workforce and poor working conditions. There is also the digital divide.

Despite the country's showy internet speeds and some of the cheapest broadband around many Japanese are happier doing things the old way.

Figures for internet users in Japan remain around 70% compared to neighbouring South Korea's 82%.

And even among those online there is a divide between those who are dependent on the internet and those who could live without it.

One government poll shows that although 44% of Japanese use the internet at least once or twice a month, the rest responded that they use it "hardly at all" or "not at all".

Considering Japan's top heavy society of over 50s, many of whom have not got to grips with the internet, and who make up 30% of the population and that figure begins to make sense.

New paradigm

Man looking at a book Not everyone wants to spend their whole time online

Many of Japan's older men — who are those most likely to run a business — have a marked preference to stay offline even in the office, says Tokyo-based entrepreneur Terrie Lloyd.

"There is a clear cut-off for Japanese bosses who know how to use PCs and mobile web-capable devices and those who don't," he said.

"The easiest way to tell is whether they have an e-mail address on the all-important name card. If they're over 50 and don't have an e-mail address, it's a dead giveaway that you either use the phone or forget about contacting them."

Some say this technophobic demographic helps explain why many of Japan's industries do not benefit from IT.

"The world shifted into an entirely new paradigm, not only of wealth creation (which moved away from manufacturing hard goods to software and intellectual property), but also of culture," says Alex Kerr, author of an in-depth anaysis of Japan's contemporary ills, Dogs and Demons.

"Oblivious to all this, Japan's government ministries, colleges, and big industry went on doing everything the old time- tested Japanese way."

Digital publishing

This backward approach surprises many people.

Talking in Tokyo at a symposium organised by Wired magazine 15 years ago, Nicholas Negroponte director of the Media Lab at MIT warned Japan against becoming one of the "digital homeless."

The country's refusal to shift to digital economies in some areas means this prophecy, to an extent, has come alarmingly true.

Japan's publishing industry is just one example. For years it has resisted change and only recently moved to accommodate a perceived shift to digitisation and the rise of the e-book.

"It goes without saying that eventually Japan will have to find a way to make peace with digital publishing," says tech analyst Steven Nagata. "But the majors of the publishing industry have made it clear that it will not happen until they have no other choice,"

Elsewhere in Japan the forces of reaction are only now starting to go along with the pivotal changes offered by hi-tech and globalisation.

Efforts have been slow. Japan's mighty mobile phone companies sneered at the iPhone, then denied it would impact on Japan, and only now after its success there are they considering their options.

According to Seed Planning of Tokyo 1.7m iPhones were sold in Japan in 2009, giving it a market share of 15%. In 2008 its share stood at 10%.

Some critics point the finger at the country's mandarins and the drag they have had on innovation.

"The good days walked out the door and no-one noticed, because we were never told of the danger; rather, missed a golden opportunity to carry the innovation fire and spread it forever," says blogger Hideki Onda.

"Political issues and bureaucracy caused our profit from the 70's to 90's to be spent on a regional and sociopolitical food chain," he said.

"And now, for example, Japan cannot make a sensible decision on the likes of spectrum use freed up by TV going digital. It's a big mess."

Although some ministries were visionary, in implementing projects to deliver the world's first cheap, mass market fibre-optic broadband service for example, many others are seen as antediluvian in their attitudes.

Peep into the offices in Tokyo's administration district and you find out why. Here PCs are rare and work carries on in the slow lane.

"Japanese banks, post offices, government offices, all are staffed with three to five times the employees because they must do every process once on paper and then again on computer," says Taro Hitachi a technical editor and patent reader at Hitachi.

"Do you see the pattern here? Japanese aren't all that happy about spiteful machines and distrust automation."

A giant tortoise on the Galapagos Islands Is Japan burying its head in the sand when it comes to new tech?

This technological divide goes hand in hand with Japan's much touted "Galapagos" status. Like the plants and creatures on those islands Japan's tech standards and business practices have developed a unique character incompatible with anything beyonds its borders.

Mr Onda thinks this Galapagos approach was an error perpetuated by the civil servants.

"Anything as foreign and revolutionary as Apple's WYSIWYG GUI operating system will never be accepted, even if it was the best. You see Apple had not paid respects to the Japanese bureaucrats," he said.

To illustrate this, Mr Onda relates a story from 1996 when Apple was keen to puts its computers into Japanese schools. The answer from the Japanese education minister at the time was a curt "No thank-you".

A puzzled Michael Spindler (then Apple's CEO) asked his Japanese colleague when they might return to try again.

In response, his colleague said: "When the 60's-era floor indicator above the ministry's elevator door goes digital."

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Dame Julie Andrews: Fans high despite low notes

Page last updated at 12:20 GMT, Sunday, 9 May 2010 13:20 UK

Dame Julie Andrews at London's O2 Arena The first half of the evening was dedicated to Rodgers and Hammerstein

For the thousands of loyal fans at London's O2 Arena, Dame Julie Andrews' first UK stage appearance for more than 30 years was a moment to worship one of the greatest musical voices of all time.

But 13 years after an operation on her vocal chords, the 74-year-old star of The Sound of Music and Mary Poppins couldn't hit the high notes of her stage and screen career.

The audience for Dame Julie's comeback was the predictable but uneasy coalition of the blue rinse and the pink pound.

A smattering of famous names in the audience – that other British Hollywood dame, Elizabeth Taylor, had earlier been rumoured to have been attending – included Honor Blackman and Sophie Ellis-Bextor.

Julie Andrews in The Sound of Music Dame Julie Andrews played Maria in The Sound of Music

They waited patiently as the Royal Philharmonic Concert Orchestra tuned up.

The first half of The Gift of Music – An Evening With Julie Andrews was dedicated to the Broadway partnership of Rodgers and Hammerstein.

It was the film version of The Sound of Music which opened the show on huge screens hung over the bare and rather unimaginative stage.

Dame Julie finally appeared at the end of the movie's classic opening number and received the first of a handful of standing ovations.

But from the start it was clear we were paying our respects to a voice never to be heard again.

Dedicated worshippers

Dame Julie can now only sing at the lower range of her voice – something she has spoken about very publicly in the past.

To her most dedicated worshippers it probably didn't matter. She assured them she could "still sing the hell out of Old Man River" .

Joined by five other singers during King and I tune Getting to Know You, we at last heard Dame Julie sing with that crisp diction of the English nanny she is so famous for.

Continue reading the main story

After a few lines, Dame Julie faded into the background, sitting on a rather lonely spot-lit stool at the edge of the stage

But it was more akin to the "speak-singing", made famous by Rex Harrison in My Fair Lady, than vintage Andrews.

After a few lines, Dame Julie faded into the background, sitting on a rather lonely spot-lit stool at the edge of the stage.

The rest of the first half featured a string of hits from Carousel and Oklahoma broken up by Dame Julie's stories of her glory days on stage and screen.

One member of the audience told me it was "heartbreaking" to watch as Dame Julie turned to the big screens to pay homage to her youth.

And for parts of the show she chose to leave the stage as the other singers took the limelight.

But the audience did get one full song, an emotional version of My Funny Valentine, before she was joined by the other performers for a rousing rendition of Sound of Music classic Do-Re-Mi.

Continue reading the main story Dame Julie Andrews

The finale of classics from South Pacific and the Sound of Music got the show back on track as Dame Julie made a final bow to both the audience and the heyday of her career on the big screens

At last the audience exploded into life as they became part of the ultimate sing-along version of the cult musical hit.

In the second half, Dame Julie narrated Simeon's Gift, a children's book she wrote with her daughter, Emma Walton Hamilton.

Her five supporting singers became actors in basic dressing-up box costumes, performing a children's musical with none of the irony and intelligence we expect from the West End of the 21st Century.

It felt like Mary Poppins was telling us all a bedtime story and, for some of the audience, it was the moment to make their way home.

But the finale of classics from South Pacific and the Sound of Music got the show back on track as Dame Julie made a final bow to both the audience and the heyday of her career on the big screens.

During the show, we heard that, after a Broadway audition, Richard Rodgers once told the young Julie Andrews she was "absolutely adequate".

That was also the verdict of some of the audience I spoke to on Saturday night.

But for the fans still singing Edelweiss as they left the arena, the thrill of worshipping their icon more than made up for the disappointment of not hearing the Maria von Trapp they fell in love with.

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About Entertainment – Magazine – Highs and lows

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Michael Jackson

Jackson is one of the most successful recording artists of all time


Michael Jackson, one of pop music’s biggest stars, is expected to announce his comeback with a series of concerts at London’s O2 arena.

Here are the ups and downs of the 50-year-old singer’s lifetime in pop.

1969 – RECORD DEAL

Michael, the seventh of nine children, joins his brothers’ pop group in 1964 – initially playing tambourine and bongos.


MICHAEL JACKSON – THE FACTS
Full name: Michael Joseph Jackson
Born: August 29, 1958, Gary, Indiana, US
Also known as: The King of Pop, Wacko Jacko
Biggest hits: I Want You Back, Don’t Stop Til You Get Enough, Billie Jean, Bad, Black or White, Earth Song

He quickly becomes the centre of attention and takes on lead vocal duties as the band build up a reputation on the live circuit.

Motown acts Gladys Knight and Bobby Taylor recommend the Jackson Five to their boss Berry Gordy. The groups’ first release on the legendary Detroit label, I Want You Back, goes straight to number one in 1969 – when Michael is just 11 years old.

Over the next six years, the band churns out a string of hits including ABC, The Love You Save and I’ll Be There.

1975 – QUITS MOTOWN

The Jacksons decide to leave Motown for a more lucrative deal at CBS Records. Motown sues the band for $20 million (£10 million).

1978 – OFF THE WALL
Off The Wall

Off The Wall only won one Grammy, spurring Jackson on to greater things

Jackson meets music producer Quincy Jones on the set of The Wiz – an urban retelling of The Wizard of Oz in which the singer plays the scarecrow.

He asks Jones to produce his new solo record – and the result is disco classic Off The Wall.

It sells 10 million copies, and contains hit singles Don’t Stop ‘Til You Get Enough and Rock With You.

1982 – THRILLER
Thriller video

The video for Thriller was inspired by American Werewolf in London

Jackson unleashes his pop masterpiece, Thriller, which re-writes the rule book on how pop is marketed, not least because of its ground-breaking video clips.

The record is frequently named the biggest-selling album of all time , shifting 65 million copies, according to the Guinness Book of World Records.

As the album spawns hit after hit – seven of its nine tracks make the charts – Jackson appears unstoppable. He causes jaws to drop around the world when he debuts the Moonwalk at a Motown television special in 1983.

Then, against the advice of his managers and record label, he convinces director John Landis to transform him into a zombie and a werecat in the 14-minute video for Thriller – at a cost of $500,000 (£250,000). The scale and ambition of the clip have often been copied, but never bettered.

1984 – BURNING HAIR AND TABLOID RUMOURS
Michael Jackson and Bubbles the chimp

Bubbles the chimpanzee was one of Jackson’s more famous playmates

As he films a Pepsi commercial in front of an audience in Los Angeles, Michael’s hair is set on fire by a pyrotechnic explosion. He is carried out of the building on a stretcher, and sales of Thriller jump by 150,000 week on week.

As Jacko-mania reaches fever pitch, tabloid stories about the secretive star begin to circulate. It is claimed that he sleeps in an oxygen tent and wants to buy the remains of Elephant Man Joseph Merrick.

The “Wacko Jacko” name is coined soon after, and the star retreats into his newly-purchased Neverland ranch, complete with zoo and fun fair.

Meanwhile, Jackson continues to prove his business acumen, securing the publishing rights to the Beatles’ back catalogue for $47.5 million and beating a bid from his old friend Paul McCartney.

1987 – BAD
Michael Jackson in concert

The Bad tour gave Sheryl Crow her big break – as Jackson’s backing singer

Martin Scorcese’s video for Bad sees Michael with distinctly lighter skin, leading to rumours of plastic surgery and skin bleaching. But the press coverage does nothing to hurt the megastar’s popularity and the Bad album sells more than 30 million copies.

The success of the album kick-starts Jackson’s first solo tour. The critically-acclaimed Bad concerts feature magic tricks, lasers, and a section where the star “flies” above the audience on a crane. Prince Charles and Princess Diana attend one of the seven sell-out shows in Wembley.

As the tour draws to a close, Jackson pens his autobiography, revealing: “I’m one of the loneliest people in the world” and releases the Moonwalker film – a mixed bag of music videos and child-like fantasy sequences.

1991 – DANGEROUS
Dangerous

Dangerous went straight to number one on its release

With hip-hop in the ascendancy, Jackson employs urban producer Teddy Riley to give a rougher edge to his new album, Dangerous. Fans and critics alike are put off by the harsh rhythms and sparse arrangements, but it contains several hits – including Black and White, Remember The Time and the tabloid-baiting In The Closet.

While promoting the album, Jackson invites Oprah Winfrey to his Neverland Ranch for a special edition of her TV show. Beamed live around the world, the star addresses several of the stories about his private life.

He reveals that he was bullied by his father, had plastic surgery twice, and that his changing skin tones were the result of a “disorder that destroys the pigmentation of my skin”.

1993 – CHILD ABUSE ALLEGATIONS

The family of 11-year-old Jordy Chandler accuse Jackson of molesting their son. The star categorically denies the charges, but Los Angeles police raid his home while he is on tour in the Far East.

He later comes to an out-of-court settlement with the family for an estimated $20m.

The following year, Michael marries Lisa Marie Presley in what many assume is an attempt to repair his tarnished public image. The couple divorce 19 months later.

1995 – STATUE STUNT
Michael Jackson at the Brit awards

Jackson’s performance at the Brit awards was magnificently over-the-top

His crown having slipped somewhat, the King of Pop positions several giant statues of himself around Europe to promote a new album, HIStory, which combines a CD of greatest hits with a disc of new material, much of which is a vitriolic response to the star’s recent woes.

The following year, he appears at the Brit Awards to perform number one single Earth Song. The show sees Jackson surrounded by children, adopting a messianic pose which prompts Pulp frontman Jarvis Cocker to storm the stage.

Jackson declares himself “sickened, saddened, shocked, upset, cheated and angry” by the incident.

1997 – FATHERHOOD

In 1997, Jackson is inducted to the Rock and Roll Hall of Fame and, in a surprise move, marries nurse Debbie Rowe, who is pregnant with his child, Prince Michael.

The couple have a daughter, Paris Michael Katherine, the following year before divorcing in 1999. The singer retains custody of the children.

2001 – INVINCIBLE
Invincible album cover

Rolling Stone said the Invincible was “full of grandiose desperation”

Six years in the making, Jackson’s next album, Invincible, barely lasts six weeks on the charts.

Only one single, Rock My World, gets a full global release. Jackson blames the lack of promotion on the fact he had decided not to renew his contract with Sony – and launches an attack on label boss Tommy Mottola, calling him “devilish” and accusing him of racism.

Meanwhile, the singer’s personal life continues to cause controversy. He draws scathing criticism when he dangles the 11-month-old Prince Michael II (or Blanket) from the window of a German hotel.

On a TV documentary he admits sharing his bed with children. “Why can’t you share your bed?” he protests. “That’s the most loving thing to do, to share your bed with someone.”

2003 – ARREST, TRIAL AND THE FUTURE
Michael Jackson after his arrest

Police denied claims that Jackson was “roughly manhandled” on his arrest

Police raid Jackson’s Neverland ranch and, shortly afterwards, a warrant is issued for his arrest on charges of molesting a 14-year-old boy, Gavin Arvizo.

The star surrenders himself to police and is arrested and handcuffed. A five-month trial in 2005 ends with Jackson found not guilty on all charges.

Following the trial and amid rumours of bankruptcy, the elusive pop star moves to Dubai.

2009 – COMEBACK

Jackson is expected to announce his comeback concerts at the O2 later while posters have already appeared on the London Underground advertising 10 shows there in July.

His visit to the UK follows the “amicable settlement” that was reached at London’s High Court in November 2008 with the King of Bahrain’s son, who was suing him for £4.7m, claiming he reneged on a music contract.

Jackson had been due to fly in to give evidence at the High Court before a confidential agreement was reached with Sheikh Abdulla Bin Hamad Bin Isa Al-Khalifa.

Compiled by BBC Entertainment reporter Mark Savage

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